Monday, January 21, 2019

Deadly Match (Cover Productions, Reel One Entertainment, Lifetime, 2019)

by Mark Gabrish Conlan • Copyright © 2019 by Mark Gabrish Conlan • All rights reserved

Last night I watched two Lifetime movies, a “premiere” of something called Deadly Match — though imdb.com lists it under the working title, College Dating App — and a rerun of something they’d been hyping a lot, a period piece called Escaping the Madhouse: The Nellie Bly Story starring two actresses who actually have reputations outside of Lifetime, Christina Ricci and Judith Light. The imdb.com page on Deadly Match contained a “trivia” item embargoed by a “spoiler” tag — with the demise of the imdb.com message boards people are sneaking the snarky message-board content onto the trivia page or into “reviews” — saying, “This is the worst movie ever made.” Actually Deadly Match struck me as a bit above the usual Lifetime fare, even though its central premise — nubile young girls meeting the increasingly high cost of college tuition by prostituting themselves to rich men — is one Lifetime has done quite a lot before. Deadly Match starts in a parking garage with the heroine, Trina (Alyssa Lynch), talking in a parking garage with her best friend Jade (Alyson Bath) when suddenly a black SUV parked in the garage starts up. The driver guns the motor and runs Jade down, killing her. In a normal Lifetime movie we’d then get a chyron title flashing us back days, weeks or even months earlier and we’d find out who Jade was and why the mystery driver would want to kill her. Instead writer Samuel Hayes (adapting an “original” — quotes definitely merited — story by Nicole Reid and Kelly Goodner) and director David Langlois have other directions in mind.

Trina, who’s balancing a scholarship, a work-study job in the student center and a ferocious class schedule that leaves her no time for dating or anything fun, deals with the tough business professor Savoy (Tatyana Ali in one of her usual African-American authority figure roles, though we’re not sure at first whether she’ll be the Black woman who talks sense into the stupid white characters or the Black best friend who discovers the villain’s plot and gets killed for her pains) by starting a dating app whose name seems to have morphed through various combinations before Hayes settled on “Make a Date” (the name is “Upfront” on the imdb.com synopsis and “Let’s Date” on Lifetime’s own page). Trina enlists the aid of her friend Zach (Mitch Ainley, who’s handsome and fun to look at even though he’s not exactly a sex god) to help her with the coding for the site, and it takes off and is an immediate success even though Trina is too busy to use it herself. When her friends Raquelle (blonde, white Debs Howard) and Lacey (African-American Bethany Brown) urge her to take the plunge — and Raquelle supplies her a red gown in which Alyssa Lynch looks totally ridiculous, though it’s supposed to make her sexy — Trina ends up on a date with a creepy 28-year-old attorney who takes her to a fancy restaurant, orders appetizers and a bottle of very expensive wine, then says they should ditch the place before dinner and go back to his condo, where he wants “a girl who will follow orders.” Trina realizes not only that she’s been mistaken for a prostitute but her friends have hijacked her dating app to make sex-for-money dates with their johns. She also learns that her friend Jade was also hooking her way through college, though without Trina’s site to help her she must have run afoul of the “wrong people” and got herself killed. Meanwhile, both the local police (whom we never see) and the college security people (whom we do) are doing their level best to cover up the crimes, officially ruling Jade’s death an accident and Lacey’s — who’s found dead in her dorm room with a bottle of pills at her side and a supposed suicide note scrawled in lipstick on her mirror — a suicide. While all this is happening the school’s dean, Brackett (Ben Wilkinson), tells Trina that she’s lost her full-ride scholarship to state budget cuts (if she had a full ride, why was she also doing a work-study job?) but she can reinstate it under a different program if she transfers to the university’s other campus 200 miles away.

Spoiler Alert: Judging from the snarky closeup Langlois gives Wilkinson as he tells Trina all this, we know instantly that he’s the bad guy behind all the murders, and he gets to off Professor Savoy (so Tatyana Ali plays both the African-American authority figure and the best friend who discovers the villain’s plot and gets killed for her pains!) before the police, called by Zach after Trina stupidly went to confront the killer alone, come on the scene, save Trina’s life and arrest Dean Brackett — whose motive was that he started buying tricks from Jade, fell madly in love with her, killed her when she wouldn’t be with him permanently, then started knocking off anyone who could link them and expose his secret. The final shot is of Trina and Zach embracing and kissing — their shared ordeal has turned them from friends into lovers. Deadly Match (a title which suggests a story about a heroine being stalked by someone she met online and who became obsessed with her) is the stuff of a pretty ordinary Lifetime movie, but this is actually better than average, thanks partly to Langlois’ mastery of atmosphere (there are a lot of half-lit neo-noir shots and he’s able to find a lot of sinister-looking locations even though virtually the whole movie takes place in the college) but mainly to Alyssa Lynch’s tough, understated performance as Trina. Playing a woman who, unusually for a Lifetime heroine, knows exactly who she is and what she wants, she tosses off the role with a calm self-assurance that would make her a “natural” the next time someone wants to do a Law and Order: Special Victims Unit-style series about a female cop.