Monday, April 29, 2019

Seduced by a Killer (Cartel Pictures, Reel One Entertainment, Lifetime, 2019)

by Mark Gabrish Conlan • Copyright © 2019 by Mark Gabrish Conlan • All rights reserved

Afterwards I got my Lifetime “fix” for the weekend after all when I switched to that channel for Seduced by a Killer, a title similar enough to fare I’ve watched there previously I checked both my hard drive and the moviemagg blog to see if I’d written about it before. I hadn’t, though it seemed relatively familiar: written by Bo Joseph and directed by Danny Buday for our old friends Cartel Pictures and Reel One Entertainment, Seduced by a Killer begins with a wordless sequence in which a college girl is being chased across campus by an assailant wearing a hoodie. Most of the people she passes ignore her cries for help, but two other people start screaming and this scares the attacker away. Since there isn’t a chyron explaining the passage of time, we don’t know whether this is a flash-forward to a scene of the killer’s seducee running away from him lest she become his latest victim or a flashback prologue (it turns out to be the latter, but we don’t learn what it was until about three-quarters through the film); instead there’s a simple cut to the nice suburban home of beauty salon owner Jessica (Clare Kramer) — for some reason her establishment is called the Salon Lujon even though that isn’t her last name — and her daughter Tessa (Mia Topalian), who’s just turned 18 and is getting ready to go to the prestigious Vanderton University, also known as VIT (an obvious not on Joseph’s part to the real Massachusetts Institute of Technology, MIT) with her boyfriend Will Radford (the gorgeous young blond Connor McRaith).

Alas, just as Will has asked Tessa to have sex with him on her mom’s couch and she’s sent him away with the usual case of blue balls, an assailant wearing a hoodie comes up behind him and murders him on Jessica’s and Tessa’s front porch. (Jessica has been raising Tessa as a single mom and we have no idea who her dad was or what happened to him, though we presume he’s dead since if he were alive the writer would have re-introduced him later as the daughter got in more and more peril.) Then we get a chyron reading “Six Months Later,” and six months later Tessa has lost all interest in going to that prestigious school and instead is moping around the house. Jessica urges her daughter to go online and meet new people, only the new person she meets is a mystery man named Eric (David Fumero) who’s twice her age and who claims to be a corporate CEO but is really an employee of the public transit system who lives in a tumble-down shack in the woods outside of town. The moment she sees them together, Jessica is convinced Eric is a rotter — though at first all she thinks is he’s a Humbert Humbert type cruising delectable nymphets half his age —but her attempts to keep them apart naturally have the opposite effect. (I couldn’t help but joke, “Memo to Jessica: do the names ‘Romeo’ and ‘Juliet’ mean anything to you?”)

Of course, the police — in the person of an avuncular bald Black detective who naturally is the most sensible character in the film — originally do nothing, saying that since Tessa is of age there’s nothing illegal about her dating a rather squirrelly guy twice her age — but eventually Jessica, her boyfriend Dr. Christian (Ron Melendez, who despite his Latino last name is tall, blond and looks like Connor McRaith’s older brother — are we supposed to believe this is the only sort of man either mom or daughter is interested in?) and her friend Nancy (Heather McComb), who works in Jessica’s salon even though she has a law degree because her internship at a local law firm doesn’t pay anything, realize that “Eric” is really Joseph, the man who attacked Jessica in her college days in the scene we’ve already watched as a prologue but without understanding its significance. For this Eric was arrested and incarcerated in a mental institution for 18 years before he was finally released, and now he’s decided to avenge himself against Jessica by killing Tessa, Nancy, Christian and everyone else important in Jessica’s life, and also destroying her salon (which he does by breaking in and smashing everything with a baseball bat) so she’ll have no way to make a living and her life will be as ruined as his was by his incarceration. Eventually Eric kidnaps Nancy — at first both we and Jessica assume he’s killed her, but she’s ultimately found alive at the end — only Jessica comes upon him as he’s tied up both Tessa and Christian and, with the gun Nancy tried to give her but Jessica turned down earlier (Anton Chekhov, call your plagiarism attorney!), she shoots Eric dead and saves both her daughter and her boyfriend. Seduced by a Killer is typical Lifetime fare, nothing special but at least delivering the goods, though cinematographer Brooks Ludwick’s idea of how to create Gothic atmosphere is to make just about every nighttime interior glow a burnished orange, and one wants to tell Jessica, “Your life will seem a lot less scary if you take out all those orange lightbulbs and put in normal white ones!”