Wednesday, April 17, 2024

Julius Caesar: The Making of a Dictator, part 3: “Ides of March,” (GBH Educational Foundation, WGBH, PBS, 2023)


by Mark Gabrish Conlan • Copyright © 2024 by Mark Gabrish Conlan • All rights reserved

Last night (Tuesday, April 16) PBS showed “Ides of March,” the last in a three-part mini-series on the life and career of Julius Caesar called Julius Caesar: The Making of a Dictator. I’ve long suspected the producers of this show (the BBC in association with PBS and various other companies) were deliberately out to make a parallel between Julius Caesar and Donald Trump. Both Caesar and Trump essentially slammed their way into absolute political power and overthrew long-established republics (500 years in Caesar’s case, 250 years in Trump’s) by total unscrupulousness and utter indifference to social norms, as well as direct appeals to “the people” against the “elites” who were supposedly ham-stringing the political system so it could not deliver what “the people” really wanted. Of course, Caesar’s playbook has been used time and time again by both Right-wing and Left-wing demagogues in various countries ever since: in France by Robespierre and later Napoleon, in Germany by the Kaiser (whose title, like “Czar,” derives from “Caesar”) and then by Hitler, in Russia by Lenin, Stalin and eventually Putin, along with other modern-day tyrants like Benjamin Netanyahu in Israel, Victor Orbán in Hungary, Recep Tayyip Erdogan in Turkey, Jair Bolsonaro in Brazil (until he lost power seeking re-election and, like Trump, claimed that the election had been “stolen” from him and staged a coup to try to retain power), Rodrigo Duterte in the Philippines, Javier Milei in Argentina, Giorgia Meloni in Italy (representing a party that’s the lineal descendant of the first Fascists led by Benito Mussolini in 1922) and others around the world. The PBS.org home page for “Ides of March,” https://www.pbs.org/video/ides-of-march-xkgyxs/, describes it thusly: “As Caesar takes control of Rome and consolidates his grip over the Republic, his ambition turns to tyranny. A handful of senators plot to end his rule in the only way they can: by taking his life. But will it be enough to save the Republic?”

The first two episodes, “High Priest” and “Veni, Vidi, Vici” (Latin for “I came, I saw, I conquered,” his slogan upon winning the war in Gaul – modern-day France – that cemented his position as the most powerful man in Rome), told a story of how a man with no particular sense of morality made and then broke alliances with others to pursue his own path to power. I remember a history book I studied from in grade school which presented Caesar as an altogether positive figure – it had chapter headings reading “The Sickness of Rome” and “The Physician: Julius Caesar” – but that’s decidedly not how this show, produced and directed by Emma Frank, sees him. The ancient Roman constitution (which, like the current British constitution, was unwritten and relied mostly on an agreed-upon set of political and social norms which Caesar deliberately upended) provided for an office called Dictator in which the Roman Senate could appoint someone and give them absolute power. But it was only supposed to be for a limited time, at most six months. The Dictator was only appointed in case of a national emergency – usually an attack from an enemy – and was supposed to relinquish power and hand it back to the elected officials as soon as the emergency was over. Not for Caesar: he first demanded an appointment as Dictator for ten years – which the Senate reluctantly gave him with the proviso that it would have to come up for renewal every year – and then he demanded to be made Dictator for life. Caesar also demanded that he sit at the head of the Senate, between the two elected Consuls that were the Roman heads of state – essentially declaring himself above the law and the ultimate authority over Rome. Among the powers he took for himself was the ability to appoint the magistrates, who served under the consuls and essentially ran the Senate, instead of allowing them to be elected directly. Caesar also had made for himself a gold version of the laurel wreath Roman consuls traditionally wore around their heads as a symbol of their authority, and to many observers it looked like a crown.

This was an especially sore point among many Romans because originally Rome had been ruled by kings, only the seventh and last one, Tyrannus Superbus (whose name has entered the language as the word “tyrant,” meaning an unscrupulous and evil absolute ruler) was deposed in a coup led by a direct ancestor of Brutus, who in 44 B.C. had wormed his way into Caesar’s inner circle. “It's a quite extraordinary thing, a really, really explicit contravention of Roman customary practice,” says retired history professor Andrew Wallace-Hadrill on the program about Caesar’s demand to be made dictator for life. “The entire idea of the non-monarchical state is that no one has power in perpetuity.” Another historian interviewed for the program, Tom Holland, says, “Caesar's preponderance has made the traditional function of the Senate, the role of the helmsman guiding the ship of state, essentially irrelevant. Caesar is too impatient, too unsubtle not to let his fellow senators know that he knows this.” Holland mentions Brutus’s role in the plot to kill Caesar. The Roman Senators who want to get rid of him know they have to do that by March 15 – the so-called “Ides of March” holiday – because right after that Caesar is scheduled to leave on another military campaign against the Parthian empire (mostly in modern-day Iran, though at its height it stretched from Turkey to Afghanistan and Pakistan and encompassed the so-called “Fertile Crescent” between the Tigris and Euphrates Rivers in modern-day Iraq as well). Caesar, says Holland, “sees Brutus as if he's a son who he's looked after, cherished, and promoted. Now, Caesar promises Brutus fantastic things. He's gonna get a key appointment this year, and this will all put him on track for a consulship in the future as well. It’s a really bittersweet moment for Brutus. On the one hand, he is climbing that ladder of offices. The consulship is in reach. But at the same time, he doesn't like the fact that Caesar is centralizing all of this power around himself. But in the end, he's able to shrug it off because at the moment, he's benefiting from the system.”

Caesar tests the waters of whether the Roman people are ready to accept him as, essentially, a king by staging an elaborate ceremony in which his loyal and trusted assistant, Mark Antony, will offer him a diadem – essentially a crown – instead of the gold replica of a laurel wreath he’s been wearing. But when he notices that the audience reacts negatively at the sight of Caesar being offered a crown, he gets the message and pushes the damned thing away. Caesar gets at least two warnings of his impending assassination, one from a priest named Spurinna and one from his wife, Calpurnia, who’s had a dream about him being assassinated in the Senate and pleads with him not to go. But one of the conspirators against him, Decimus – a long-standing ally of Caesar but one who, like Brutus and fellow conspirators Cassius and Cicero, has got disillusioned with him – goes to Caesar to convince him to attend the latest session of the Senate after all. “Decimus says to Caesar, ‘This is behavior unbecoming of you,’” Holland explains. “‘What – what am I supposed to go and tell the Senate? That you're scared of shadows, that you're obedient to a woman's importunities? This is not behavior appropriate to Caesar.’” So Caesar goes to the Senate and gets knifed to death by 20 to 30 people, each of whom decided to take a role in the assassination so it could not be blamed on any one person. Unfortunately, the death of Caesar does not restore the Roman Republic; after yet another Roman civil war Caesar’s great-nephew Octavian takes absolute power and declares himself Augustus, the first Roman Emperor. The Roman Empire, like the Republic, lasts for 500 years in the West (and another 1,000 in the East as the Byzantine Empire, which splits off from its parent and holds out until 1453, when it’s conquered by the Ottoman Turks), and Rome becomes the paradigmatic historical example of a self-governing society that collapsed through the greed and hunger for power of a single determined individual.

The historians interviewed for the “Ides of March” episode of Julius Caesar: The Making of a Dictator make this point explicitly in the closing minutes of the documentary. Tom Holland says, “I think the tragedy of the Roman Republic is that its greatest man, the man who in so many ways exemplified all its qualities to an absolute pitch of achievement, those achievements brought the Roman Republic crashing down into rubble.” Classics professor Jeffrey Tatum says, “When Julius Caesar commenced his political career, he could never have imagined that the Roman Republic would come to an end, and he certainly couldn't have imagined that he would be the agent that brought that about. And yet, that's what happened in a very short time. What are the lessons for modern representational systems that are not nearly so old? Could modern democracy collapse? Perhaps we simply take our political norms for granted.” Rory Stewart, a former British cabinet member, says, “There was a moment where the Roman Republic seemed the most perfect political state on earth. Then it had got itself into trouble. And this reminds us a bit of our own period. From about 1989, democracy was on the rise. The number of democracies in the world doubled, and then a period of deep, deep uncertainty began, including the rise of populism. And it's in that environment authoritarianism thrives, that strong men come forward to challenge democracy.” British constitutional lawyer and scholar Shami Chakrabarti says, “I think the Caesar story really is a wake-up call. Democracy has to be constantly fought for. If we take it for granted, a new Caesar will come.” And it seems quite likely, given his ability to overcome obstacles that would have sunk the political careers of lesser men and the almost god-like adulation he receives from millions of Americans, that the new Caesar has indeed arrived and his name is Donald Trump.